Intimate Routledge Intimate Commentaries on Tadeusz Kantor’s Theatre

Intimate Routledge Intimate Commentaries on Tadeusz Kantor’s Theatre

Alle 2 prijzen en aanbieders

Meest populaire keuze
Laagste prijs
Amazon· Bekende aanbieder
€ 55,11
-26% prijsdaling
1 tot 2 dagenGratis verzending
Check de website voor de levertijd | Gratis bezorgd > €25,-
Bekijk product
Bekijk product
Laagste prijs
Amazon Marketplace· Marketplace
€ 55,11
-26% prijsdaling
3 tot 4 dagenGratis verzending
Check de website voor de levertijd | Gratis bezorgd > €25,-
Bekijk
Bekijk product

Er zijn nog geen reviews geschreven

Vraag 1 van 4

Heb jij dit product in bezit en wil je graag je mening geven? Start dan hieronder met het schrijven van je review. Afhankelijk van de details duurt het schrijven van een review gemiddeld tussen de 3 en 10 minuten. Met jouw mening help je andere bezoekers een betere keuze te maken én maak je iedere maand kans op €250,-! Klik hier voor de actievoorwaarden.

Welk cijfer geef jij dit product?

Specificaties

Belangrijkste kenmerken
EAN
9781032946313

Productomschrijving

Intimate Commentaries on Tadeusz Kantor’s Theatre is a collection of Michal Kobialka’s essays, written between 1986 and 2025, that provide a comprehensive understanding of Kantor’s theatre practice.





Intimate Commentaries on Tadeusz Kantor’s Theatre is a collection of Michal Kobialka’s essays, written between 1986 and 2025, that provide a comprehensive understanding of Kantor’s theatre practice.

The book is divided into three parts, each focusing on a specific area of Tadeusz Kantor’s theatre practice. Part I explores Kantor’s radical departure from, or rupture within, the known and accepted representational categories not only of the twentieth, but also of the twenty-first century. Part II focuses on Kantor’s productions, which disrupted the preestablished artistic conventions in order to infiltrate and shatter the prevailing political, ideological, and cultural systems of power. Part III sheds light on Kantor’s 1949-90 theatre experiments with objects, matter, space, reality of the lowest rank, an autonomous work of art, zero zones, the impossible condition, and complex mnemotechnics, which reflected his unwavering belief that theatre was an answer to, rather than a representation of, reality. The three parts elucidate the central argument of this book, that Kantor’s theatre is an example of refractory art in its double sense: as a negation of the status quo and as a deviation from the dominant artistic conventions in service to any official cultural system and its culture industry.

Intimate Commentaries on Tadeusz Kantor’s Theatre will be of interest to scholars and students of theatre and performance, performance theory, theatre history, Polish theatre, and avant-garde art in the twentieth century.